|
 |
 |
about
Berlin
artists' journal: low-tech, high-minded & self-serving. Narcissisms
in word, image, animation. Themes: Journeys into subcultures; making
& presenting art; club culture & electronica. New: Now with lots
of useless time consuming extras!
|
 |
december 22, friday
presenting art at the "no historical
backspin" benefit

ight now, in Holland, such
strange bedfellows as hooligans, queers, neo-cons and feminists are
teaming up to fight religious fascism that developed during a long
period of ideological (leftist) multicultural politics... |
| In Eastgermany's
Saxonia however, events seems to be less confusing: Victim and aggressor
still know their place and don't morph or fluctuate in such a
politically confusing manner as they do in the Netherlands: Here,
fascists are white Germans, and their victims are blameless foreigners,
preferably of colour. |
 |
(But as those are hard to find in Eastern Germany, xenophobia already
plays a part in the attitude towards people from the next town..)
In places like Pirna -the famous baroque town near Dresden- a
straightforward hatred of anything different rules, nostalgically
simplistic in comparison to the ideologically paradox dutch situation.
Dj's and musicians Monika Kruse & friends have set
up a political party/concert event series called No
Historical Backspin, that aims to show their young fans -for
whom electronica artists are major examples- that racism is not cool.
They might just as well add homophobia and misogyny to the not cool
list, because in the East of Germany, girls are trained to be
unbelievably timid and the hippest negative word in teen conversation is
"schwul" (gay).
one of our animated slides had an acid smiley
defeating a swastika
The Backspin party & concert was set up as a two day fundraiser for
the Amadeu Antonio Stiftung in the Plastix club
in Pirna, a town next to Dresden that's just as scary as it is
picturesque. Imagine the famous Canaletto painting of the baroque Pirna
market square, touch it up with nice splashes of colour, like from
several swastika banner dangling from the baroque houses, then labour
over the life-like depiction of the broken windows at the turkish snack
bar, and finally, add a sense of dynamics to the composition by
inserting a gentle sprinkling of drunken skinhead shapes, decoratively
puking and beating up "foreigners". My, some of the playful rascals even
seem to be groping each other, oh dear..
Many well known dj's performed, like Vela
and Monika Kruse
herself. The first night with Mijk van Dijk live was
well-visited, but the second, breakbeat-oriented night proved too avant
garde for this region. Still, all in all more than 1000 Euros could be
gathered for the Amadeo Antonio Foundation to help them enlighten
Eastgerman youth.
We had prepared a special set of paintings and kinetic slides.
It was hard to create good images for slides & paintings for this event,
while doing research I learned alot about religious/political symbols.
Also I noticed how most anti-fascist imagery (old or new) turns out looking pretty fascist
itself..
The most popular moving slide animation proved to be the one of
my classic "piss boy" (Maenneken Piss), pissing on a nazi banner, -turns
out Pirna is well known for their own version of the Brussels sculpture.
 |
Still the same religious symbol it always was in Asia, the swastika image is
absolutely forbidden in Germany,
custom workers still regularly physically
destroying confiscated material that somehow
features it,
even modern art, sometimes.
The power of symbols...
|
The organizers and audience liked the club installation well enough and
we will hopefully do it all again -only even better- at the next
Backspin which will take place in Berlin.
|
 |
 |
|