Berlin artist's journal. Self centeredness never looked
so good.
About our journeys into Eastgerman and
Berlin subcultures, making & hustling art, organizing
exhibitions, club culture, electronica. Now with lots of useless time
consuming extras.
July 12, Monday
urray! I'm told there's a review of
our Rotterdam exhibition last month in a pretty good dutch art no
no-nonsense newspaperette. As it is called "F*king Good Art"
i am hopeful that it's favourable. (It is more classy than the title
might suggest and is made by mature people.) It is on pink paper like
"Butt" magazine, and only being distributed by hand to selected people
first, only a month later stuff appears in the online version for the Volk. FGA used to exist in Chicago
too, but has gone sleepy there. If they let me i'll post it here this
week.
File under: careerism, autism.
July 1, Thursday
ust back in a deserted Berlin from a
stay in Rotterdam where we had an exhibition,
and from Dresden where we had a one day club-art presentation at a
house party at a baroque castle with great gardens. We slide projected
a giant faux flower mural on the ceiling and hung a large frieze
painting about 15 meters wide that came straight from the Rotterdam
exhibition, it hadn't even left the car. To do this we had to take down
the original exhibition of spinster watercolours called "Symhony of
Colour" for the day.
One painting and many radiators where damaged that night by hysteric
house boys with skinny behinds.
The "Letter from Rotterdam" is being edited right now
and will turn up here somehow, along with massive party and
installation pix, but i'll have to photoshop everybody pretty first.
File under: murals, skinny butts.
May 22, Saturday
Made nice animated visuals for an event in part of a
former GDR airport called "Corona". A reference to the well known
electronica act "Sieg ueber die Sonne" that performed live. Was amazed
how mainstream they sounded though.
April 14, Wednesday
ery busy club art weekend this
Easter. Sunday we co-operated with "Transparent"
on a "Goa meets Gothic" event. This Gothic room had the best dark 80's
electronica vibe playing Fad Gadget and Tuxedo Moon and stuff like
it.
The saturday before we were in Dresden prettifying a club night with
our art.
The Dresden art installation took place in a semi-large former
artificial silk factory. The Dresden / Chemnitz region used to be full
of garment production industry, but German re-unification took care of
that. We combined large paintings and multiple slide projections of
digitized Pattern Paintings by Paulus,
that were constantly changing appearance.
Also had some paintings on view like this one (behind DJ Cora S.),
mixing 30's, science fiction and disco-sucks-again vibes.
In the projections we also appropriated historical drawings (in pseudo
3D) by Jakow Tschernichow into one giant wall piece. Constructivist
Russian factory designs of the most fantastic stylized sort. (Most of
the time we create our own slide material, but here i couldn't resist.)
Below's an impression of the audience, Eastgerman club
kids when dolled up for Easter: Nike nazis, steroid retro punks, art
school girls, rosy cheecked farm boys and a not so gentle sprinkling of
over-tanned homophobe witches.
File under: club visuals, art in ruins.
April 9, Friday
ubstep is the new hip musical style
in Berlin, from artists like "Horsepower Productions". "To The Rescue"
is the name of their (self released) album on Juno
recordings that reminds me of Cabaret Voltaire's "2x45" with its
dark movie dialogues and oriental samples. Great stuff, championed over
here by dj e.d.2000 in his downloadable radio shows for reboot.fm, making electronica
quite exciting again.
April 7, Wednesday
rtist's protest waves rolling over
Berlin these days as neoliberalism reaches communal art
politics... At the Nationalgalerie, where artists were
desperately sticking their art in the faces of people standing in line
for the MoMA show; the thought behind it being that average art lovers
shouldn't always wait a hundred years to appreciate contemporary art.
At the "Rebell art festival", launching a new political magazine and e-zine. And the
"Fast Umsonst" art show at the NGBK had them protesting against having to take
responsibility for themselves
File under: artistic dysfunctionality, epater les
bourgeois, self-pity.
April 2, Friday
erlin always loses much of it's
wonderful, dark atmosphere in spring, things getting unfittingly
optimistic, even virile. The city's cultural life's slowing down as
people spend too much time outdoors with life affirming americanized
outdoor activities they think they should be doing.
"Savoir-vivre" doesn't become germans i think, they
should be busy indoors fighting disease or thinking up philosophical,
organizational or political systems like the fretful bunch they are. Or
just making electronica records full of scratches and noise, never
seeing the sun for weeks.
Instead there's herds of them running around Tiergarten in nike
plastics, washing their own cars for fun, or relaxing at café
corners in broad day light pretending not to be neurotic.
-I blame it on the movies.
File under: melancholica.
March 31, Wednesday - Female Art?
e went to see a feminist art
exhibition at the "Stilwerk", a design shopping mall in the center of
Berlin. I'm a big fan of feminist art, the best expression of it being,
strangely enough, male feminist art by gay artists, like Lari
Pittman for example.
It was an installation by Sibylle Zeh involving many
many pieces of crochet work.
Sibylle Zeh had brought all of her library into the art show,
interesting stuff about arts & crafts and other decorative
traditions that were disrupted by WW2 she said.
It made me think of art writer Dave Hickey, who has this
great theory on the gender of artworks; about feminine, seductive art
that's receding, luring you into it's world by every trick in the book,
and it's opposite: male, closed art that doesn't want to be penetrated
by your gaze, or is even coming at you in some shape or another.
This stuff is both it seems, does that make it bisexual
or rather hermaphrodite? Like, the whole room as such is very
seductive, inviting and playful, but once you get in, and look at the
separate art pieces and many texts, you feel this male intelectually
penetrating tradition taking you from behind full force.
By the way, today i added much documentation of past art
& club events in the report
section of this site: a club art presentation in Saxonia ; and pics of
our window showroom that's still on at Berlin's Sony center. Very
receding stuff indeed.
File under: gender of artworks, Dave Hickey
Fanclub.
March 29, Monday
alking of online toilet graffiti the
other day; here are some brilliant examples of daily digital tearoom drawings.
They're "gay ascii art", all white on black, and there are hundreds of
them. Quite a sick hobby when done this way, but at least nobody needs
to clean up afterwards.
The real nastiness, wonderful abandon and un-pc-ness that only true
anonymity can supply.
Discovered an interesting Japanese animation cooperation
by Torisu
Koshiro and Autophene;
a clip for a Japanese band called Juicy Panic. Mumbleboy called
our attention to it, i can see why he likes it so much; it lookes just
like himself at work as vj in a club.
Especially Autophene i like a lot; he mostly does utopian
vector landscapes, not just with the standard Japanese cutie flair, but
also with a kind of seventies over the top psychedelic Yellow Submarine
feel, that you don't find so much in flash art.
File under: linkdumping.
March 27, Saturday
ow these diary banalities are even
"syndicated", -what a fancy term for such a humble mass hysteria
industry like blogging. It makes it sound like something of interest,
something you're getting paid for, like some 50's writer of detective
stories. A medical term, something to do with hygiene or virology might
fit better. I'll think about it.
feed you silly
Here's the link to our "feed": You are able to add us to your news
reader with it, or see stuff turning up at Queer filter for
instance. See our RSS for more details.
March 25, Thursday - Peggy
eading Peggy Guggenheim's memoirs.
She's remembered as a serious art patron now, but these recollections
were published in 1946 when she was just a 40 year old traveling rebel
heiress. A contemporary review wrote that "between boudoir blackouts we
get a glimpse at great men's lives". Indeed Peggy had affairs with
about any surrealist, imagist, or cubist she could get her hands on,
and her "voice" when kiss and telling is gross, but contemporary
sounding because of it.
Did you know that Ives Tanguy used to make drawings
while making love to poor Peggy, sketching on a bed-boy placed over her
head, all the while staying hard? The book is full of such revealing
details. Mr. Detached himself, Marcel Duchamp, turnes out to have been
a nervous homophobe who wouldn't let Peggy go near Cocteau's cafe "Le
Bouef sur le Toit", fearing she might turn lesbian and deprive him of
an income. Marcel must have had a hard time though, because Peggy just
couldn't keep away from homosexuals. The best line in her autobiography
is: "I am furious when i think of all the men who have slept with me
while thinking of other men who have slept with me before".
But then, think of all the men who slept with Peggy who were just
thinking of their art career.
File under: art politics, sexual art history,
art-gossip.