Club Art Diary: Electronica, Street Art, Berlin Life, Queer Stuff

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Berlin artist's journal. Self centeredness never looked so good. 

About our journeys into Eastgerman and Berlin subcultures, making & hustling art,  organizing exhibitions, club culture, electronica. Now with lots of useless time consuming extras. 

 

July 12, Monday

urray! I'm told there's a review of our Rotterdam exhibition last month in a pretty good dutch art no no-nonsense newspaperette. As it is called "F*king Good Art" i am hopeful that it's favourable. (It is more classy than the title might suggest and is made by mature people.) It is on pink paper like "Butt" magazine, and only being distributed by hand to selected people first, only a month later stuff appears in the online version for the Volk. FGA used to exist in Chicago too, but has gone sleepy there. If they let me i'll post it here this week.

File under: careerism, autism. 


July 1, Thursday

ust back in a deserted Berlin from a stay in Rotterdam where we had an exhibition, and from Dresden where we had a one day club-art presentation at a house party at a baroque castle with great gardens. We slide projected a giant faux flower mural on the ceiling and hung a large frieze painting about 15 meters wide that came straight from the Rotterdam exhibition, it hadn't even left the car. To do this we had to take down the original exhibition of spinster watercolours called "Symhony of Colour" for the day. 
One painting and many radiators where damaged that night by hysteric house boys with skinny behinds.

The "Letter from Rotterdam" is being edited right now and will turn up here somehow, along with massive party and installation pix, but i'll have to photoshop everybody pretty first.

File under: murals, skinny butts.
 

May 22, Saturday

Made nice animated visuals for an event in part of a former GDR airport called "Corona". A reference to the well known electronica act "Sieg ueber die Sonne" that performed live. Was amazed how mainstream they sounded though.


April 14, Wednesday

ery busy club art weekend this Easter. Sunday we co-operated with "Transparent" on a "Goa meets Gothic" event. This Gothic room had the best dark 80's electronica vibe playing Fad Gadget and Tuxedo Moon and stuff like it. 

The saturday before we were in Dresden prettifying a club night with our art.

The Dresden art installation took place in a semi-large former artificial silk factory. The Dresden / Chemnitz region used to be full of garment production industry, but German re-unification took care of that. We combined large paintings and multiple slide projections of digitized Pattern Paintings by Paulus, that were constantly changing appearance.
Dj Cora S.
Also had some paintings on view like this one (behind DJ Cora S.), mixing 30's, science fiction and disco-sucks-again vibes.

In the projections we also appropriated historical drawings (in pseudo 3D) by Jakow Tschernichow into one giant wall piece. Constructivist Russian factory designs of the most fantastic stylized sort. (Most of the time we create our own slide material, but here i couldn't resist.)

Below's an impression of the audience, Eastgerman club kids when dolled up for Easter: Nike nazis, steroid retro punks, art school girls, rosy cheecked farm boys and a not so gentle sprinkling of over-tanned homophobe witches.

File under: club visuals, art in ruins.

not liberated yet



April 9, Friday

ubstep is the new hip musical style in Berlin, from artists like "Horsepower Productions". "To The Rescue" is the name of their (self released) album on Juno recordings that reminds me of Cabaret Voltaire's "2x45" with its dark movie dialogues and oriental samples. Great stuff, championed over here by dj e.d.2000 in his downloadable radio shows for reboot.fm, making electronica quite exciting again.


April 7, Wednesday

rtist's protest waves rolling over Berlin these days as neoliberalism reaches communal art politics...  At the Nationalgalerie, where artists were desperately sticking their art in the faces of people standing in line for the MoMA show; the thought behind it being that average art lovers shouldn't always wait a hundred years to appreciate contemporary art. At the "Rebell art festival", launching a new political magazine and e-zine. And the "Fast Umsonst" art show at the NGBK had them protesting against having to take responsibility for themselves

File under: artistic dysfunctionality, epater les bourgeois, self-pity.


April 2, Friday

erlin always loses much of it's wonderful, dark atmosphere in spring, things getting unfittingly optimistic, even virile. The city's cultural life's slowing down as people spend too much time outdoors with life affirming americanized outdoor activities they think they should be doing.

"Savoir-vivre" doesn't become germans i think, they should be busy indoors fighting disease or thinking up philosophical, organizational or political systems like the fretful bunch they are. Or just making electronica records full of scratches and noise, never seeing the sun for weeks.
  Instead there's herds of them running around Tiergarten in nike plastics, washing their own cars for fun, or relaxing at café corners in broad day light pretending not to be neurotic. 
-I blame it on the movies.

File under: melancholica.


March 31, Wednesday - Female Art?

e went to see a feminist art exhibition at the "Stilwerk", a design shopping mall in the center of Berlin. I'm a big fan of feminist art, the best expression of it being, strangely enough, male feminist art by gay artists, like Lari Pittman for example.

It was an installation by Sibylle Zeh involving many many pieces of crochet work.



Sibylle Zeh had brought all of her library into the art show, interesting stuff about arts & crafts and other decorative traditions that were disrupted by WW2 she said. 

It made me think of art writer Dave Hickey, who has this great theory on the gender of artworks; about feminine, seductive art that's receding, luring you into it's world by every trick in the book, and it's opposite: male, closed art that doesn't want to be penetrated by your gaze, or is even coming at you in some shape or another. 

This stuff is both it seems, does that make it bisexual or rather hermaphrodite? Like, the whole room as such is very seductive, inviting and playful, but once you get in, and look at the separate art pieces and many texts, you feel this male intelectually penetrating tradition taking you from behind full force.

By the way, today i added much documentation of past art & club events in the report section of this site: a club art presentation in Saxonia ; and pics of our window showroom that's still on at Berlin's Sony center. Very receding stuff indeed.

File under: gender of artworks, Dave Hickey Fanclub.


March 29, Monday 

alking of online toilet graffiti the other day; here are some brilliant examples of daily digital tearoom drawings. They're "gay ascii art", all white on black, and there are hundreds of them. Quite a sick hobby when done this way, but at least nobody needs to clean up afterwards.
The real nastiness, wonderful abandon and un-pc-ness that only true anonymity can supply. 

Discovered an interesting Japanese animation cooperation by Torisu Koshiro and Autophene; a clip for a Japanese band called Juicy Panic. Mumbleboy called our attention to it, i can see why he likes it so much; it lookes just like himself at work as vj in a club. 

Especially Autophene i like a lot; he mostly does utopian vector landscapes, not just with the standard Japanese cutie flair, but also with a kind of seventies over the top psychedelic Yellow Submarine feel, that you don't find so much in flash art.

File under: linkdumping.


March 27, Saturday 

ow these diary banalities are even "syndicated", -what a fancy term for such a humble mass hysteria industry like blogging. It makes it sound like something of interest, something you're getting paid for, like some 50's writer of detective stories. A medical term, something to do with hygiene or virology might fit better. I'll think about it.


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March 25, Thursday - Peggy

eading Peggy Guggenheim's memoirs. She's remembered as a serious art patron now, but these recollections were published in 1946 when she was just a 40 year old traveling rebel heiress. A contemporary review wrote that "between boudoir blackouts we get a glimpse at great men's lives". Indeed Peggy had affairs with about any surrealist, imagist, or cubist she could get her hands on, and her "voice" when kiss and telling is gross, but contemporary sounding because of it. 

Did you know that Ives Tanguy used to make drawings while making love to poor Peggy, sketching on a bed-boy placed over her head, all the while staying hard? The book is full of such revealing details. Mr. Detached himself, Marcel Duchamp, turnes out to have been a nervous homophobe who wouldn't let Peggy go near Cocteau's cafe "Le Bouef sur le Toit", fearing she might turn lesbian and deprive him of an income. Marcel must have had a hard time though, because Peggy just couldn't keep away from homosexuals. The best line in her autobiography is: "I am furious when i think of all the men who have slept with me while thinking of other men who have slept with me before". 
But then, think of all the men who slept with Peggy who were just thinking of their art career.

File under: art politics, sexual art history, art-gossip.

 
 

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