About transsexual mayhem, kinetics & vulnerability in art.
 
 

November 20th, Thursday - Trannie art

t the House of Shame record release party we presented special sissy projections at Sage . This record is brought out by the Berlin Sage club imperium and distributed by Sony, i think

  All tracks -electro-punk, electro-sleaze or electro-chanson- by various Berlin artists like Andreas 505, Sherry Vine or Hendrick, are produced by Luis of the Spanish electro-punk band "Glamour to Kill" who already made the wonderfully trashy "House of Shame" Theme song.

We showed kinetic projections (partly based on the painting we did of Chantal this spring) that were slowly changing all the time. And some rythmic more erotic stuff
 

November 5th, Tuesday - Kinetic art

ooking into Kinetic Art a bit. There's some stuff to be rediscovered there.

Today the term kinetic art stands mostly for moving sculpture, often terrible earthy hippie wind sculptures or rusty third rate squatter robotics in the survival research tradition. 
But it wasn't always like that. "Kinetic" used to stand for anything moving, by electricity, wind, heat, light, just optically, whatever, and included early computer-, video-, and Op-art when those hadn't developed into separate art movements yet. Especially around 1970 -when disco was invented- there was a boom of interesting experimentation with light modulation, as it is called, after Moholy Nagy who first used light for art at the Bauhaus. Nicolas Schoeffer is one of the more prominent artitsts of that period, today seen as a pioneer of interactivity. 

A very famous artist in France, he worked as a kind of futuristic city planner, constructing giant city "kinetic towers" from Paris to Osaka, that beamed light effects & blasted sound all over the place. Now, some years after Schoeffer's death, his atelier -a sort of walk-in light/sound/movement interactive machine- is used as a setting for high-class receptions & dinners. Leave it to the french. Can you imagine George Bush inviting guests for drinks in a Louise Bourgeios environment? Explaining over canapes to foreign heads of states her phallic and incestuous imagery maybe.. 

Late 60's art is so optimistic, sensual and fun. Nowadays an artist that works with the poetry of light and movement will only be frowned upon as silly by a generation fed on politically correct art. Personally i think bringing politics into the artworld is like going around in a gay sauna dressed in a plastic trench coat flashing your willy. The most political thing an artist can do, is to be active with art outside the art ghetto.
 

October 25th, Saturday - Sick Art

pending time working on a set of paintings that involve more hand painted parts, and less stencilled shapes. (One of the reasons people don't buy our stuff so lightly is because they assume that because it is partly made with stencils there must be a hundred copies around, which is not true because most are too complex for that, made with lots of layers much like traditional kimono painting.) 

The new pix are in various small sizes meant for the upcoming Kunstsupermarkt shops, to be sold like records out of a box. But i'm skeptical about our sense of what's appealing.. The paintings are elegant enough, but mentally belong to the group we did for the recent Apotheke show (about art, war & politic) and are therefore somewhat negative. They feature fragmented depictions of bandaged party girls that we found in an old dutch "ladies' encyclopedia", combined with dated party patterns, and placed on a sickening yellow background, the color of despair and suicide according to most color studies. There's also one of a grim looking male tying a piece of rope around his upper arm. Sounds commercial doesn't it? Just leave it to us. 

Afterwards we went to a party at the Big Eden club where there is no end to 80's revivalism night after night. Well at least people still act nice, not the way hip people thought they had to act "cool" in the 80's. The germans really took new wave ethics too seriously, combining their version of absolutely humorless cool with their natural german wariness into something frigid. Even the new wave people themselves were in the end so relieved they could start acting friendly again when their culture was swept away by acid house. 
I wouldn't mind for the early 90's revival to start already. 
 

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