About transsexual mayhem, kinetics & vulnerability in art.
November 20th, Thursday - Trannie art
t
the House of Shame
record release party we presented special sissy projections at Sage
. This record is brought out by the Berlin Sage club imperium and distributed
by Sony, i think
All tracks -electro-punk, electro-sleaze or electro-chanson- by various
Berlin artists like Andreas 505, Sherry Vine or Hendrick, are produced
by Luis of the Spanish electro-punk band "Glamour
to Kill" who already made the wonderfully trashy "House of Shame" Theme
song.
We showed kinetic projections (partly based on the painting we did of
Chantal this spring) that were slowly changing all the time. And some rythmic
more erotic stuff
November 5th, Tuesday - Kinetic art
ooking
into Kinetic Art a bit. There's some stuff to be rediscovered there.
Today the term kinetic art stands mostly for moving sculpture, often
terrible earthy hippie wind sculptures or rusty third rate squatter robotics
in the survival research tradition.
But it wasn't always like that. "Kinetic" used to stand for anything
moving, by electricity, wind, heat, light, just optically, whatever, and
included early computer-, video-, and Op-art when those hadn't developed
into separate art movements yet. Especially around 1970 -when disco was
invented- there was a boom of interesting experimentation with light modulation,
as it is called, after Moholy Nagy who first used light for art at the
Bauhaus. Nicolas Schoeffer is one of the more prominent artitsts of that
period, today seen as a pioneer of interactivity.
A very famous artist in France, he worked as a kind of futuristic city
planner, constructing giant city "kinetic towers" from Paris to Osaka,
that beamed light effects & blasted sound all over the place. Now,
some years after Schoeffer's death, his atelier -a sort of walk-in light/sound/movement
interactive machine- is used as a setting for high-class receptions &
dinners. Leave it to the french. Can you imagine George Bush inviting guests
for drinks in a Louise
Bourgeios environment? Explaining over canapes to foreign heads of
states her phallic and incestuous imagery maybe..
Late 60's art is so optimistic, sensual and fun. Nowadays an artist that
works with the poetry of light and movement will only be frowned upon as
silly by a generation fed on politically correct art. Personally i think
bringing politics into the artworld is like going around in a gay sauna dressed
in a plastic trench coat flashing your willy. The most political thing
an artist can do, is to be active with art outside the art ghetto.
October 25th, Saturday - Sick Art
pending
time working on a set of paintings that involve more hand painted parts,
and less stencilled shapes. (One of the reasons people don't buy our stuff
so lightly is because they assume that because it is partly made with stencils
there must be a hundred copies around, which is not true because most are
too complex for that, made with lots of layers much like traditional kimono
painting.)
The new pix are in various small sizes meant for the upcoming Kunstsupermarkt
shops, to be sold like records out of a box. But i'm skeptical about our
sense of what's appealing.. The paintings are elegant enough, but mentally
belong to the group we did for the recent Apotheke show (about art, war
& politic) and are therefore somewhat negative. They feature fragmented
depictions of bandaged party girls that we found in an old dutch "ladies'
encyclopedia", combined with dated party patterns, and placed on a sickening
yellow background, the color of despair and suicide according to most color
studies. There's also one of a grim looking male tying a piece of rope
around his upper arm. Sounds commercial doesn't it? Just leave it to us.
Afterwards we went to a party at the Big Eden club where there is no
end to 80's revivalism night after night. Well at least people still act
nice, not the way hip people thought they had to act "cool" in the 80's.
The germans really took new wave ethics too seriously, combining their
version of absolutely humorless cool with their natural german wariness
into something frigid. Even the new wave people themselves were in the
end so relieved they could start acting friendly again when their culture
was swept away by acid house.
I wouldn't mind for the early 90's revival to start already.